Yin Yang is among the oldest symbols in Taoist philosophy: two halves in constant motion around each other, each holding a seed of its opposite. Light contains a trace of dark, stillness holds the seed of motion, and nothing exists in isolation from its counterpart.
Here the ancient symbol sits inside a mandala of lotus petals and swirling, henna-inspired linework. The lotus has long stood for purity and awakening rising out of murky water, framing balance as something cultivated layer by layer rather than simply given.
On a wall, the piece asks for reflection on where a life may be leaning too far to one side — work over rest, effort over ease — and invites the sides back into conversation.
